A to Z of Films Meme (O)

O

One Flew Over The Cuckoo’s Nest

One of the most powerful anti-establishment movies I’ve seen, One Flew Over The Cuckoo’s Nest is the story of a criminal McMurphy who prefers an insane asylum to prison, and leads a sustained revolt against the suffocating and stultifying atmosphere and practices of the barbaric asylum. Unlike mainstream movies, here the anti-hero does not win, in fact the establishment wins in the most brutal fashion, leaving us shattered.OneFlewOverTheCuckoo'sNest

I find it shocking that some people see this movie as a comedy of the revolt led by McMurphy with the fishing trip, the orgy at night, and the caricatured inmates. These people are lucky souls who have never experienced the vice-like grip of a cruel establishment and are so blissfully ignorant that they can view this film as a comedy. For the less fortunate among us, Forman uses our intellectual and emotional sensitivity to deal a severe blow that is devastating. I have written before about this film being one of the most intense cinematic experiences for me.

The film’s success – it bagged 5 Oscars and was a box-office hit – was completely unanticipated. It beat Jaws and Nashville at the Oscars. Gene Hackman and Marlon Brando had turned down the lead role, and co-producer Michael Douglas chose not to act himself. Five other actresses turned down the role of the domineering Nurse Ratched. Finally, Louise Fletcher won the Best Actress Oscar for her stunning portrayal of the Nurse, accepting the role just a week before filming began, and turning what was arguably a supporting role, into a lead one. Jack Nicholson, as McMurphy, won his first Oscar and the film catapulted him to super-stardom.

Jack Nicholson lives and breathes McMurphy, a wisecrack who loves to break the rule, is prone to violence, and like any sane person, can have insane impulses when trapped in an insane asylum. While Nicholson’s performance is universally and frequently appreciated, Fletcher’s Nurse is often overshadowed. Observe that Fletcher does not make the Nurse a typical monster, or witch. Rather, the Nurse is a sexually and emotionally repressed authoritative figure, who plays by the rule book, and actually believes that what she is doing is good for the patients.

Western critics believe the treatment of mental illness shown in the film is dated, and modern practices are not as brutal. While it is true that practices such as lobotomy are discontinued, electro-convulsive therapy is still widely used, especially in developing countries. Forman, a Czech, has likened the asylum to communist Russia, and the film doesn’t let viewers escape its grim reality. The escape of the Indian Chief was meant to offer a cathartic end, but for me, McMurphy’s end was simply too devastating.

I once composed a poem inspired by this film:

I was flying on a quest
With a great deal of zest
When I fell down
Into a cuckoo's nest

Thus I had a fracture
And lost all my rapture
While I kept pondering
The reasons for my capture

All my friends told me
The nest was the best for me
And as the days went by
I forgot how to fly

As my mind reeled
My lips were sealed
My fracture healed
But my fate was sealed

OutOfAfricaRunner Up

Out of Africa

A personal favorite that must be watched on the big screen. Pollack’s best picture. Streep, Redford, and Brandauer’s performances. David Watkin’s eye-popping on-location cinematography. John Barry’s soul-stirring background score. A dollop of Mozart – the K136 Divertimento in D, K331 Piano Sonata in A, Clarinet Concerto. The complex characterizations of the baroness Karen Blixen and Denys. The story of a woman who never accepted defeat in any way.

The apes playing with the phonograph. The big game hunting scene with lions. The Masai tribe in the desert. The English school for the natives. The owl gifted to her. The view of the world through god’s eyes. The flight sequence followed by the love-making scene in bed. Ah, what cinema!

Noteworthy Mentions

On The Waterfront, Elia Kazan and Marlon Brando are a tour de force that make powerful films.

Once Upon A Time In America, Sergio Leone’s explosive saga of gangland America.

Related posts:

  1. A to Z of Films Meme (B)
  2. A to Z of Films Meme (N)
  3. A to Z of Films Meme (0–9)
  4. A to Z of Films Meme (M)

14 Comments

  • Right­fully (eh, are we being pompous here? well, what­ever), I’m the first to com­ment here.

    Two of my most loved films too. And what a con­trast… One: a slice of life cut out from social scene, almost idyl­lic… the other, where the only man who seems to have a non-communal life, is, iron­i­cally, the Indian chief, who comes out of it sane.

    One sim­i­lar­ity between the two films, though, is that none of them let down the book from which they were adapted, by exploit­ing the strengths of the film medium (for one it might be styl­ized act­ing, for other it might be breath­tak­ing cin­e­matog­ra­phy, and music) vis a vis the novel, while shad­ow­ing the weaknesses.

    I tried read­ing Out of Africa, after watch­ing the movie, and it didn’t work out for me at all. I put it down almost imme­di­ately. May be it’ll have to wait for a right time. One flew, I read before watch­ing the movie, and it’s an amaz­ing book. The film is great because it has man­aged not to dilute the impact of the book. The book can delve into what film can only show or hint at. That’s where One Flew, the film, scores most.

    Enjoyed the reviews.

    asuph

  • As you this Jack Nichol­san movie is highly rated by me. As you men­tioned, the sad­dest. :(

    Your poem too con­se­quently (of being inspired by movie) is sad too. I hav never been able to write sad poems. Even as a kid, I used to write opti­mistic and moti­va­tional (at times preachy I guess) poems. :)

  • Dottie wrote:

    The verses were beau­ti­ful. So true.. I think One flew.. is one of the most pow­er­ful films I have seen. Haven’t seen Out Of Africa..

  • After Noto­ri­ous, one another com­mon choice.
    Oh man one flew… was sim­ply dev­as­tat­ing. Jack Nichol­son made his­tory here with that per­for­mance..
    Every time I watch this film, I learn some­thing new..
    Both ‘Out of Africa’ and “on the water­front’ are my favorites too..that reminds me that I have to catch more of Elia Kazan in the com­ing weeks..
    Thanks again for a very good write up and shar­ing other tid bits..

  • I was sure that you would list One Flew Over The Cuckoo’s Nest. I think you and Raja had rec­om­mended this movie to me. Loved your poem as well.

  • Your poem is superb. It has a trav­el­ing story line in each stanza, and an excel­lent flow. I used to wrote hun­dreds of poems when I was younger, two or three a day. And then I got old enough and real­ized that most of them never came close to any sort of great level, and most of them were about the same things that every angst teenager writes about. I stopped pen­ning after that.
    Your poem is very good, take this from a per­son who reads poetry extensively.

    As far as the movies go, I love your choices. I have never seen One Flew Over… but have read the book, and loved it. With the pic­ture you present for the movie, it seems as if the story is por­trayed dif­fer­ently yet just as mas­ter­fully, and I’ll have to go watch the movie now.

    Out of Africa is a great movie, and as a South­erner I can relate to it, espe­cially with mine and my friends life expe­ri­ences. I think I was most amused at their idea of “camp­ing,” with the table and chairs, port, and huge tent they brought along, all just for the girl. Her porch was also a dream, how I would have loved to have her view.

    Excel­lent reviews ^.^

  • I was hop­ing some­one would com­ment about the con­trast in the two movies, and you hit the spot in the first com­ment itself!

    I have casu­ally read some­where that in the case of One Flew, the movie was darker than the book. In the book, the other inmates escape as well. It seems Ken Kesey was quite upset at the changes in the script that devi­ated sig­nif­i­cantly from the book. You can tell us more since you’ve read the book.

    Many peo­ple in Hol­ly­wood wanted to make a movie out of Dinesen’s writ­ings, but none ever suc­ceeded until Pol­lack came along. I don’t think I’ll ever read her!

    Thanks for the infor­ma­tion and glad you liked the post.

  • Have you pub­lished your poems on your blog? I’ll have to check that out.

    I write some­thing that oth­ers call poems, both when I’m happy or sad. I don’t think I can write poems, though I’ve included my exper­i­ments on this blog…

  • Thank you!

  • Yes, another com­mon choice. I am hum­bled that some of my selec­tions match yours!

    Thank you for your kind words, Dev. Keeps me going! :-)

  • Infact Iam hum­bled :)
    For­got to add in my pre­vi­ous com­ment that nice poem you wrote there.

  • One Flew is in each and every kind of top films list, so that was hardly sur­pris­ing! :-)

    I don’t recall rec­om­mend­ing this to you; I remem­ber Raja rec­om­mend­ing Fantasia…interesting obser­va­tion about selec­tive mem­ory? :-)

  • Havah, thank you for your kind words and appre­ci­a­tion! Wow, I really didn’t think it was much of a ‘poem’, and am hum­bled by your words.

    You must watch One flew and let us know how you think the movie com­pares with the book.

    Every­thing about the peo­ple in Out of Africa was so ‘royal’. They did every­thing in style. The camps with the ser­vants at their beck and call. Out in the wilder­ness! Wow. Amaz­ing vis­tas in the movie…

  • I never wrote a poem/rhyme after those kid­die days. But I have those sam­ples some­where around, cour­tesy my mother’s care­ful sav­ing over the years. There is noth­ing remotely resem­bling a poem ever pub­lished on my blog. :)