A to Z of Films Meme ©

"Not to have seen the cinema of Satyajit Ray means existing in the world without seeing the sun or the moon."

- Akira Kurosawa

CCharulata

Charulata

No points for guessing this one, my dear readers! Ray at his sublime best. The camera speaking more eloquently than the dialogue. Structurally perfect. Emotionally subtle and complex. Vividly chromatic cinema in monochrome. Immaculate art direction. Profound characterization ably supported by sterling performances. A haunting reflection on the nature of human relationships. Ray makes every shot and edit work in the film – there is not a single second of unnecessary footage, every scene from the beginning to the end, is just perfect.

For those who haven’t already, do read my earlier post Light Rays on Charulata.

Runner Up

The Color Purple

The Color PurpleA Bengali housewife in 1897 enraptures me – a 30-something male of more than a century later – in Charulata. A young black girl growing up in the early 1900s in America endears me in The Color Purple, Spielberg’s masterpiece. This is the power of cinema, of film-making at its best.

We meet Celie when she is 14 and pregnant by her father. We live her life along with her for the next 30 years, despairing at her misfortune, and exulting at her triumph. This is Whoopi Goldberg in her first and finest performance, before being closeted by Hollywood into stereotypical roles. Danny Glover is terrific in portraying the physical brutality and outward strength masquerading as masculinity while betraying a weakness of character and inner strength. Oprah Winfrey, a first-timer like Goldberg, is superb as the indomitable black woman who will not bow down to males or whites. The evocative Sister song! This is not a tale of a woman’s suffering, but of her enduring struggle and ultimate victory. The movie is not without flaws, but the story and performances are uniquely heart-rending.

When I first saw the film on the big screen in the mid-80s, I was young and impressionable. I cried and cried and wept in joy. When seeing it a few years ago, I did not break down emotionally, but was equally moved.

Noteworthy Mentions

Citizen Kane, the legendary Welles masterpiece, that I’m still learning to appreciate

Casablanca, the legendary, most-cited, most-beloved film of all time

A Clockwork Orange, cited by some as a great film-making, but did not go down well with me at all. I felt like having been food-poisoned after watching the film. Not recommended by me.

Related posts:

  1. A to Z of Films Meme (M)
  2. A to Z of Films Meme (B)
  3. A to Z Films Meme ®
  4. A to Z of Films Meme (K)

22 Comments

  • Mahen­dra

    Much as I have seen other Satya­jit Ray work, I have not seen Charu­lata. I remem­ber your last post on the film and thought that would be your C film :-)

    Nor have I seen The Colour Pur­ple but I am glad to see there are other sen­si­ble peo­ple who cry in the cin­ema. I don’t always do but some­times I do.

    Would Char­i­ots of Fire have made it to your list if you were doing a top-10? :-)

  • You have earned my deep­est respects for mak­ing “The Color Pur­ple” your run­ner up.

    I added Charu­lata to my net­flix queue after your last post, but I go through movies so slowly that I still haven’t seen it yet. School doesn’t leave much time for plea­sures, I’m afraid. But when I do see it, I’ll make sure to write a jour­nal entry and link it to you.

  • Mahen­dra, you have indeed seen a lot of good cin­ema! I have seen nei­ther of these two films!

  • Read the book Colour Pur­ple while I was in col­lege, yet to see the movie, yes­ter­day though I watched two I liked, one is called Transamer­ica about a man that goes thru trans­for­ma­tion to become a woman and how he/she copes with the fam­ily and his bio­log­i­cal son. the other is called Mother . Watch­ing AI and Amis­tad now. Both by the same direc­tor. Amis­tad would prob­a­bly be one of your favs too?

  • Dottie wrote:

    I must see Color Pur­ple now! Charu­lata is a film that stays with you long after you have seen it! Must watch it again now. I am enjoy­ing this series so much!

  • Wow, you’re on a roll! Will look up The Color Pur­ple. Yes, had put my bets on all of the rest, Cit­i­zen Kane, Charu­lata & Casablanca :) And yay on Clock­work Orange too; it’s gen­er­ally one of the men­tion­ables, wasn’t sure if you would.

    I think for me per­son­ally, the tim­ing of see­ing Clock­work Orange was crit­i­cal. I saw it 4 years ago, and I echo your sen­ti­ment. But I remem­ber think­ing at that time, had I seen it when I was immersed into lit­er­ary crit­i­cism / film appre­ci­a­tion, I’d have seen it from a dif­fer­ent per­spec­tive. Not nec­es­sar­ily liked it, but seen it dif­fer­ently nevertheless.

    g

  • Your posts tell me I still have to watch some movies. Haven’t yet seen “12 Angry Men” or “The Color Pur­ple”. Or “Schindler’s List” (the pre­vi­ous two reminded me of it, not that it’s on your list.).

  • what about Cidade de deus ?
    id rate it above Kane (though it is well made)!

  • Charu­lata is one of Ray’s films not influ­enced by Ital­ian neo-realism, so no poverty here. :-)

    There are some films at which if peo­ple do not become emo­tional (I do not mean actu­ally cry), they’re either insen­si­ble or insen­si­tive. :-) Color Pur­ple is one such film. As I men­tioned, in the first view­ing in the mid-80s, I cried profusely.

    I haven’t seen Char­i­ots of Fire. Have heard of it cou­ple of times, but never saw it. Now it’s on my list!

  • I agree. But many are also able to keep a lid on their emo­tion well in pub­lic. :-)

    Char­i­ots of Fire is shot, in part, in Gonville & Caius in Cam­bridge. It is a good film, and I like it enough to own it on DVD.

  • Yes. I don’t like exter­nal fac­tors to curb my emo­tional response to a film. That’s why some­times I pre­fer watch­ing alone. I like to com­pletely sur­ren­der myself. :-)

    I will look out for Char­i­ots of Fire. Thanks again.

  • Havah Negila, thank you very much. Finally, I find some­one who admires The Color Pur­ple as much as I do.

    Take your time watch­ing Charu­lata. Maybe this review by a new­comer to Ray will help.

  • And I’m only on to D so far! :-)

    But we did have one com­mon choice till now: A Beau­ti­ful Mind!

  • So it turns out I have already seen a movie by this direc­tor and loved it (Mahana­gar). I have a great feel­ing about Charu­lata, and thanks for the link, the review was very well writ­ten and any­one who men­tions code-switching gets brownie points in my book.

    p.s. added you on lj. U should be able to see my entries now.

  • My DVD is the orig­i­nal NTSC ver­sion; I’m relieved there’s no con­ver­sion to PAL!

  • Haven’t read the book Color Pur­ple — I hear it is darker than the film!

    Nope — haven’t seen Transamer­ica or Mother, or Amis­tad either. Am I get­ting a lot of recommendations…wow!

  • :-) Thank you. Your feed­back keeps me going!

  • Meant to add — there’s this Dutch movie, Char­ac­ter. (Well, Karak­ter). That would be a men­tion if I were to list mine.

  • I think you will like Color Pur­ple. And yes, some­times I do get tempted to pro­mote lesser-known films as well, in this meme exer­cise. What’s the point of re-hashing the “Top 10″ films lists that pro­lif­er­ate like swine flu? :-)

    I share your view regard­ing Clock­work Orange. I might have seen it dif­fer­ently too, when I was more involved in film appre­ci­a­tion. But I am sure I would not have liked it. Food poi­son is poi­son, whether you’re young or old. :-D

  • Dear lit­ter­a­teuse, I know you’ve been hav­ing late nights lately, so very much appre­ci­ate your tak­ing the time to com­ment and rec­om­mend films as well.

    Haven’t seen Karak­ter — the For­eign Oscar win­ner for 1997. Thank you.

  • I would say all three are must-watch! :-)

  • Haven’t seen it, didn’t know about it — thanks a lot! Adding to list.