Cinematic Idiosyncrasies

Nita had tagged me almost a year back for revealing my quirks related to watching movies. I thank her for the opportunity very much, as this is yet-another-close-to-my-heart topic!

  • I have watched more movies in restricted cinema halls as a member of film clubs and in film festivals than in public cinema halls.
  • I guess I do not make a good movie-watching companion in the usual sense. I am totally unresponsive to any communication during the movie. When my family or friends turn to look at me and talk during a movie, I get irritated because I don’t want them to miss even a single frame.
  • I almost never persuade others to watch films that I like. In my younger days, I used to, but after repeated disappointments, I became wiser.
  • Watching opening and closing credits is almost like a religious ritual for me. I avoid going to cinema theatres where early risers are likely to block the view of the end credits. In such circumstances, I prefer sitting in the front rows. This partly stems from my association with a few close friends who work in behind-the-scenes roles as assistant directors, music directors, producers, etc. Only partly, because this is similar to books, where I read each page of the critical acclaim, publishing history – including all the edition information, the ISBN catalogue details, printing information, etc.
  • The only time I have left a movie in-between was when I and my girlfriend were watching an old black and white Japanese film on the horrors of Hiroshima. I didn’t feel like being Seinfeld with Schindler’s List, so we politely made our exit after we discovered what the movie was about.
  • In Mumbai (then Bombay), I was the sole (illegal) under-18 member of a leading film society, the Prabhat Chitra Mandal. PCM’s Mr. Nandgaonkar had personally screened me, and after an hour-long chat about films by great directors, he had no qualms to accept my application.
  • The most intense cinematic experience in my life was during the screening of One Flew Over The Cuckoo’s Nest at the NFAI in Pune. The hall was not only packed, there was no space to stand in the aisles! Yet at the poignant climax towards the end (no spoilers), each and every member of the audience was in a world of their own. You could not hear a pin drop, because there was not a single pin dropping. The audience stopped breathing for a few moments as if that would disturb the moment.
  • I almost always like to check out reviews and critics’ opinions before I watch a film – often to decide if I’m going to watch it, and if yes, to know what I’m going to pay attention to in terms of film appreciation.
  • I once guided Helen to her seat in a screening. She had left the hall during the intermission and was hesitant about her place when she returned. She was sitting directly in the row in front of us, and I obliged. Her presence, demeanor, and personality was that of a queen!
  • I sometimes watch great films again, focusing specifically on one aspect of the film-making. For example, I will watch Charulata for studying the acting, then for studying the camera work, once for the direction and editing, and yet again solely for the sets and art decoration. There are a handful of films I have watched multiple times this way, some Ray, some Kurosawa, and some others.
  • Maybe because of the type of films I enjoy watching, they stay with me for a long time. I cannot watch one film after another. I like long meaningful discussions about the film afterwards. The longest ‘hangover’ I had after watching a film was when I watched the uncensored Bandit Queen in Berlin.

There! I trust you will not easily find a more quirky movie-buff than me!

Related posts:

  1. A to Z of Films Meme (E)
  2. A to Z of Films Meme (0–9)
  3. TV Ad Break Intervals
  4. A to Z Films Meme (S) Runner Up, Noteworthy Mentions

24 Comments

  • One Flew Over Cuckoo’s Nest is my favorite movie. Heart wrench­ing it was in end.

    I too make a bad movie com­pan­ion, its com­pletely engross­ing pri­vate affair for me, all expres­sions too openly play on face. I quar­rel with my sis­ter as she makes lots of com­ments while watch­ing. I too hate miss­ing any frame even if it is cast­ing n other things.

    And I envy you watch­ing movies as part of movie clubs while being so young. I too have done this movie quirks tag some­where on my blog. :)

  • Mahen­dra

    I read all the cred­its too much to the annoy­ance of oth­ers. I have only ever had one accom­plice in this quirk — a French class­mate in Cambridge. :-/

    I would love to share other ones, which might chal­lenge your crown but I am not tagged and not vol­un­teer­ing ;-)

  • Wow! You are a seri­ous film watcher and I thought I was one until I read this! I do share quite a few of your movie habits though, like for instance want­ing to see every sin­gle frame of the movie. It was nice read­ing this, a peep into the real Mahen­dra! Thanks for doing the tag.

  • screamwithmenow wrote:

    Evening,
    each film is so per­sonal.
    I do won­der who decides what and where films will get the go ahead from. I would like to see the films that they refuse to make. So many books get refused many times, and I am curi­ous if film is the same.
    I have been to two out­door walk ins. Once it rained. Not nice, and no one moved. (The green Mile)
    Byeee

  • You are an intense con­nois­seur of the movies

    A agree with the lot and won­der why peo­ple start to rush out of the­aters once the cred­its start

  • havala wrote:

    This is inter­est­ing. I myself don’t tend to like the reviews unless the move descrip­tion is obtuse. And i hate the movie the­atre because I can’t walk around or do some­thing while I’m watch­ing the movie. Need­less to say, we have very dif­fer­ent habits :)

  • enjoyed this post immensely, thanks for doing this.
    I unlike you love to watch back to back movies and often do dur­ing fes­ti­vals.
    and I am not at all cov­er­sant with movie mak­ing craft but I watch movies like they read a book, rely­ing on dia­logue, act­ing, ges­tures shown, music etc. maybe you can edu­cate peo­ple like us about the behind the scene craft in one of your posts with block­buster exam­ples which is easy to go see again and again while its run­ning. my DVD drive isnt work­ing rt now.

  • the other response was in your chat, wanted to see if the chat option worked but I guess smth­ngs wrong you reposted all my comm­nts back at me!

  • this evening I watched a curi­ous movie called the strange case of Ben­jamin Button

  • I dont watch TV. in fact I do not even own a TV :)

  • so you do a post that is not too jar­gon heavy and with ref­er­ences from movies we Indi­ans might have watched. on the net they use exam­ples that are unknown to me, besides they assume we know much already.

  • Jar­gon?! I apol­o­gize, I never thought I had used jar­gon in this post. I’ll think about writ­ing about more movies.

    I do once in a while. You might want to see them all by click­ing on the ‘movies’ tag in the tag cloud in the sidebar.

  • […] am idio­syn­cratic about cin­ema, but nei­ther am I a snob, nor is my list elit­ist. I believe one of the gifts one movie […]

  • […] uses our intel­lec­tual and emo­tional sen­si­tiv­ity to deal a severe blow that is dev­as­tat­ing. I have writ­ten before about this film being one of the most intense cin­e­matic expe­ri­ences for […]

  • Hard-hitting film ain’t it? It’s my all-time favorite. I’m happy to find oth­ers who also don’t like to miss a sin­gle frame!

    Yes, I was indeed lucky! :-)

  • He he…‘annoyance of oth­ers’ — I know exactly what you mean! Some­how Euro­peans are the most likely to be accom­plices in such mat­ters — at the risk of ter­ri­ble overgeneralization.

    If you ‘would love’, remem­ber this is a comment-n-self-tag post, so by com­ment­ing, you’ve already tagged your­self! ;-) Why don’t you take it up, we’d all love it!

  • Ha ha ha! Nice to know you share at least some quirks. Regard­ing peep­ing into the real me, I’ve often let this blog do that in the past as you well know! :-)

    Thanks for com­ment­ing, and I’m happy you enjoyed read­ing it.

  • It’s quite a com­pli­cated process, but in most cases these days it hap­pens like this — bud­ding scriptwrit­ers are try­ing to get direc­tors to adopt their script, once direc­tors take up a script they search for pro­duc­ers, who have links with the stu­dios. Of course, any­thing and every­thing can hap­pen vice versa.

    Yes, there are lit­er­ally hun­dreds of thou­sands of cases I sus­pect, where scripts don’t get any­one to pro­duce them. There are also many cases where no stu­dio finances a pro­ducer or a project. Many famous films have such a his­tory that they had to hop from stu­dio to stu­dio beg­ging for financ­ing. That’s where move­ments like Sun­dance help artists cre­ate inde­pen­dent films with­out the sup­port of the big studios.

    Oh yes, thanks for vis­it­ing and commenting!

  • Yup…intense is prob­a­bly a cor­rect description!

  • Yeah…I know many folks who pre­fer not read­ing reviews, but not any­one who like to walk around while watch­ing! :-)

  • Yes, one has to make an excep­tion when there are fes­ti­vals! I’m not sure I can ‘educate’…some of the ‘behind the scenes’, or ‘the mak­ing of’ pro­grams on TV can be really a good place to start. I’m happy you enjoyed read­ing. :-)

  • Yeah, chat didn’t seem to work, am prob­a­bly going to remove it. BTW, you were the first per­son to use it! :-)

  • Why don’t you do a review? It was a big-budget, big-ticket, Hol­ly­wood block­buster with the hottest stars.

  • screamwithmenow wrote:

    After­noon,
    you make per­fect sense. It must send the script writer crazy to see so many new films and not theirs.
    Byeee
    oh, this link was just bro­ken and I had to click Back. Byeee